Remember what I said about Marvel comics writers worth watching for? Same list for Image as Marvel with a few more: Kelly Sue deConnick, Jonathan Hickman, Kieron Gillen, Rick Remender, Matt Fraction, J. Michael Straczynski, Brian K. Vaughn, Chris Roberson, Antony Johnston, Greg Rucka, Ted McKeever, Warren Ellis, and Kurt Busiek.
The first issue of Bitch Planet by Kelly Sue deConnick and Valentine Delandro. Kelly Sue is giving us a women-in-prison exploitation science fiction comic. She's good. This should be fun.
The first Dream Police collection by J. Michael Straczynski and Sid Kotian will be out December 3. So is Sovereign, by Chris Roberson and Paul Maybury.
Two titles are on their second issues: ODY-C by Matt Fraction and Christian Ward, and Prophet: Earth War by Brandon Graham, Simon Roy, and Giannis Milogiannis. ODY-C is a gender swapped science fictional retelling of The Odyssey. Prophet is a Rob Liefeld character that was his reclaiming of Marvel's Cable under another name. Later, Alan Moore made Prophet more a pulp character. When Brandon Graham started writing prophet's adventures, he made the comic more a French Metal Hurlant Moebius style story. Very druggy gonzo science fiction.
Writers working at IDW that have my attention, even if I don't directly mention their book: Neil Gaiman, Larry Hama, Karen Traviss, Ron Marz, Chuck Dixon, Steve Niles, and Eric Shanower.
The collections of Hugo Pratt's Corto Maltese start in December. (drool)
I'm putting Marvel and DC together because I don't have much to say about DC. I want to like what they currently put out, but, overall, I'm disappointed. Didio, fix this.
These writers at Marvel know what they're doing and do it well: Matt Fraction, Kelly Sue deConnick, Peter David, Kieron Gillen, Mark Waid, Jonathan Hickman, Dan Abnett, Jason Aaron, and James Robinson.
The first issue of Angela: Asgard's Assassin by Kieron Gillen, Marguerite Bennett, Phil Jimenez, & Stephanie Hans. This is the Angela Neil Gaiman created for Spawn.
Mark Waid writes a new SHIELD series, where he takes what he wants from the tv series and wraps it in the regular Marvel Universe.
The MiracleMan Annual with Grant Morrison and Peter Milligan is out this December.
Just doing a quick look over the Dark Horse solicits for December and noting the things that interest me.
Horror has never worked for me as horror. The Hellboy and Mignola titles always make good dark urban fantasy, though: Abe Sapien, BPRD: Hell on Earth, and Hellboy & the BPRD.
Chris Roberson always entertains. Looking forward to his Aliens: Fire & Stone. Now will someone get the rights for and hire Chris to write a Thundarr comic? Please?
Steve Niles' Criminal Macabre is dark urban fantasy noir. Same for Eric Powell's The Goon if you add the qualifier "weird."
Dark Horse Presents #5 has a Joe Casey and an Alex de Campi story. SOLD! Alex de Campi also does Grindhouse: Drive In, Bleed Out.
I'm looking forward to reading Terminator Salvation: The Final Battle by J. Michael Straczynski & Pete Woods as a piece. Gail Simone and Rhianna Pratchett co-write Tomb Raider, and Pratchett is another writer who needs to write more comics.
My heart thrills and cries. Stan Sakai closes on the end of his Usagi Yojimbo epic.
Twenty-eight years ago, Borderland, edited by Terri Windling and Mark Alan Arnold, was first published. This was a shared universe anthology using an urban fantasy setting.The premise was simple: Something had happened to open the border between our world and Faerie. Some decent sized city was near the border when it happened, though no place is ever named, It can found anywhere in the world if one follows certain rules. Or not. Teens ran away to the Border to escape something, to find something, or to just experience magic.
Borderland starts with a story by Steven R. Boyett, just after a way between the Border opens. You see a town attempt to adjust after a cataclysm? An apocalypse? And the return of "elves" (but don't call them that.) Later stories jump ahead some time (but how can time be measured near Faerie?) and introduces us to Stick and Farrel Din, the Dancing Ferret and Danceland, and learn a little something about how people live, survive, and thrive in a town where neither the rules of science nor magic are reliable, where cultures, both world and fay, come together and try to build something new, something theirs, while dealing with the darker side of being human.
In five anthologies and three novels, Bordertown has introduced me to characters who are old friends, Ash Bieucannon, Wolfboy, Sparks, the Fixer and the Finder (Tick-Tick and Orient), Sunny Rico, Linn, Milo Chevrolet, the "Terrible Trio" (Strider, Sai, and Goldy), Screaming Lord Neville, Camphire, and too many more to count. I have eaten at Godmom's, the Hard Luck Cafe, Taco Hell (try the Meltdown Burrito), and Cafe Cubana for tea. I've danced at the Dancing Ferret, Danceland, and the Wheat Sheaf. I've seen Horn Dance and Lord Dunsany's Nightmare and oh so many bands who name the town home. I tell you all this to point out how real the writers made Bordertown for me.
And what writers. I've mentioned Steven Boyett, and if you haven't read his books Ariel and Elegy Beach and if you haven't read those two, are you in for a treat. In the first book he was joined by Ellen Kushner, Charles de Lint, and Bellamy Bach. In the second book, Bordertown, they were joined by Will Shetterly, Emma Bull, and Midori Snyder. I won't go over the full list of those who contributed to the Bordertown series, but a few of the other writers were Delia Sherman, Patricia McKillip, Steven Brust, Caroline, Stevermer, Jane Yolen, Cory Doctorow, Amal el-Mohtar, Tim Pratt, Nalo Hopkinson, Christopher Barzak, Holly Black, and Neil Gaiman.
This is early urban fantasy and, as such, owes as much to magic realism as to the mythic fantasy novels which is the ur-text for most heroic and epic fantasy today. Don't expect to find plot-by-the-numbers, but instead people who love and live so they must be real, which is the real magic.
This is the series that inspired the current urban fantasy trend and was read by many writers working the YA boom. The have a strong place in the history of the genre and and damn fine stories besides.